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| Intelligence | Notice: The
following ideas are based on the eBook THE HUMAN MIND by Martin Dak and
deal with the expression of deficient emotional intelligence in
business. You should first read the page Intelligence to learn what
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now or read at your risk. SOCIOECONOMIC RELATIONSHIPS From the manufacturer's viewpoint, all products need to be designed, manufactured, promoted, and sold. Marketing people try to find out what the customer wants, and report the findings to the people in product development. Designers then propose ways of meeting the need. At this time, sales people begin promotional campaigns to inform the public that a product is going to be available soon. The final engineering design is then transferred to manufacturing, and finished products are channeled to potential customers through the appropriate distribution channels. This is how demand and offer work in theory. In real life, the mysterious variable of human psychopathology enters the economic relationship. In one scenario, a manufacturer makes an outstanding product, but the public does not want it, because the taste of the public is not in tune with the offer. At other times, some customers want to buy a real bread, but commercial American bakeries keep making the same old junk they were baking 50 years ago. Naturally, bakeries make junk bread because people buy it. Call it psychopathology or tradition, the consumers and the producers are locked in a relationship that resists a change for the better. As another example, many people would like to buy small desktop computers, but the industry, with the exception of a few companies, keeps manufacturing big boxes with a lot of empty space inside. The discrepancies between what the market offers and what the consumer wants are particularly prominent in the field of photography, automotive industry, and computer industry. Although the product in these three categories differ, there are remarkable similarities in marketing, production, and customer needs. PRODUCERS It is no secret that manufacturers are in business to make money. The ancient enthusiasm of individual workshop owners and the pride in their products are over. Nowadays, high-tech industries are dominated by large corporations. Their bottom line is profit. The big companies care little about product quality, performance, reliability, appeal, desirability, customer satisfaction, or social need. The issue of making profit overrides any other considerations, and manufacturers are often willing to sell substandard products to make money. Even the most reputable manufacturers do not always give buyers an honest deal. Although blatant dishonesty of the past century has been replaced with marketing gimmicks, producers have found "honest" ways to legally extort an extra buck. As an example, manufacturers of color printers have implemented technical measures to prevent users from getting inexpensive inks from a third party. This strategy is very profitable because one set of ink cartridges can be more costly than the printer itself. Camera manufacturers use the same approach when designing power sources. Instead of allowing users to buy inexpensive AAA or AA cells, camera producers design their own batteries. The reason is not to make the battery fit the camera, but to make money. Few photographers dare to leave home without a backup battery. Buying a second battery is a predictable behavior. A proprietary battery typically costs between $40 and $60. Two regular AA rechargeable NiHM cells cost between $5 and $10. They can be plugged into a generic charger at home or in a car. Instead, camera buyers have to buy an expensive proprietary charger when purchasing a camera. Some producers can afford to commit this form of marketing extortion without penalties because their products are superior and are in demand. As long as customers are willing suckers, they will be paying the extra money for unnecessary proprietary technology. Another way to make profit is to sell poor quality. If a producer sells a product that has great usability, wonderful performance, and is reliable for 20 or 30 years, the producer does not make much money, even if the wonderful product is the most desirable in the world. Something has to be done to make people buy a product more often, preferably every year. The automotive industry figured out how to do this in the 1950's. An American family had to have a new car every 3 years to keep up with the Joneses. Exploiting the psychopathology of the masses, the automotive industry made handsome money. The camera industry does the same thing today by employing the following strategies:
BUYERS The mentality of buyers is exquisitely manifested in photography. Cameras are used by millions of people around the world. Having the ability to record one's experiences is very important to all humans. Almost every family living in a rich country has some kind of a camera. How we record, value, and interpret images influences development of photographic equipment. Both users and manufacturers have major impact on new products. Oftentimes, the desires of users dominate, and manufacturers produce cameras of low quality or poor usability simply because the users want such products in exchange for low cost. To understand the influence of buyers on product development, it is important to learn who buyers are. They fall in distinct groups: Snappers Snappers represent the majority of all people and camera users. Snappers just take pictures with no regard for composition, quality, or purpose of the captured images. A family gathers, and everyone snaps pictures. Family travels outside the city limits, and cameras are busy again. Family goes on a vacation, and snappers are having a party. They have poor artistic sense and predominantly take pictures of themselves. They love pictures that have bright and saturated colors with happy faces. This is what the camera industry is nurturing. The skies have to be bluer than blue, cheeks have to be bright red, grass has to be saturated green, clouds have to be snow-white, and everyone must be smiling. It is clear that snappers have no interest in photography; they want to see themselves. This psychological condition is a mild form of narcissism. Not surprisingly, snappers are self-centered and perceive themselves important. Geeks Geeks include freaks and nerds. These humanoids are attracted to products at the cutting edge of technology, cameras that have numerous functions and countless customizable options. The less usable and more complex the camera is, the more geeks love the device. The sheer challenge of lousy usability drives geeks to master the technology. Geeks do not want a camera, but a tool that extends their abilities and poses a mental challenge. The tool becomes an inseparable part of their mental selves. Hackers Hackers are essentially snappers with big drive to be like professional photographers. They do not mind spending money on equipment, but they use their expensive gadgets the same way as snappers do. Hackers have only superficial understanding of photographic techniques. Even worse, they have a twisted sense of beauty. Because of this mental deficit, hackers never become good photographers. They spend countless hours on their activities, but are incapable of getting rid of their crude values and methods. The problem is mental. Hobbyists Hobbyist love to experience the world through pictures and use pictures as triggers to such experiences. To a hobbyist, taking a picture is a very emotional/spiritual matter. Similarly as geeks, hobbyists desire cameras that allow image manipulation. The motivation of hobbyists is vastly different, however. They want to capture scenes that best activate emotions and aesthetic responses. Simplicity and usability are important to hobbyists. They want to capture mood and not just a still copy of and object or scene. For these reasons, hobbyists must have an optical viewfinder of high quality. It serves as a window into and a connection with the visual world. A true hobbyist does not need an LCD to see the recorded picture instantly. On the other hand, hobbyists like to wait for the pictures. The hope and expectation that everything will come out just right is a strong motivator for hobbyists. Seeing the results instantly on a display would be like revealing to a reader of a detective story the identity of the murderer in the first chapter. Professionals Professionals are people who do photography for living. They can belong to any of the above groups. A prominent trait of professionals is that they take pictures for profit. Being able to immediately see the taken picture is of high importance to professionals. They want a big LCD screen with endless resolution and image quality. They do not mind carrying heavy equipment that guarantees technically advanced photographs. Many professionals have become lazy over the years and need a camera that is automatized as much as possible. This is why professionals often desire a large adjustable LCD on a swivel arm. DESIGN FACTORS Design of goods is perhaps the most important phase of industrial production. Design affects the desirability of the final product, the cost of manufacturing, usability, and benefit to a buyer. Design is where many influences compete. Manufacturing wants something that can be easy to produce. Marketing wants functions, features, and bigger marketability than the competitors offer. Engineers want performance and technological "elegance." Buyers often want something useful at a reasonable price. Corporate management wants profits, and particularly quick and big profits. Camera Industry Canon, as a leading camera producer, has enjoyed tremendous business success. Canon products are recognized as some of the best, and sales have been high for years. Surprisingly, not even Canon has escaped the effects of industrial psychopathology. One of Canon's very successful product of the year 2008 was the Canon Powershot A590 IS camera. It offers numerous features, works with AA batteries, has an optical viewfinder, has manual and automatic operating modes, provides image stabilization, can capture both single shots and videos, has many customizable options, and yet, as a whole, this promising product is incredibly bad. This fact makes little difference now. The camera has been removed from stores to make place for new models. Naturally, all the promised accessories have disappeared along with the camera. There are still some businesses that offer the camera on the internet, but finding the camera in retail stores will be difficult after June 2009. Nevertheless, the camera has offered a valuable lesson about economics, industrial design, and emotional intelligence. There is a saying that too many cooks spoil the broth. Similarly, the broth can be spoiled by too many first-class ingredients. This is the case of the Canon PS A590 IS. In addition to wanting to do too much and satisfy every possible user at the cost of quality, the manufacturer made a series of bad design decisions. Almost every review complains about the tripod mount. The mount is made from plastic and has been moved to one side of the camera. Similarly, every other review criticizes the placement of a play/shoot button on the camera. The function of this button could have been incorporated into the LCD menu. In summary,
The Automobile Industry Many problems existing in the camera production can be seen in the automotive industry.
The Computer Industry Naturally, the computer industry is no different than other high-tech manufacturers.
CONCLUSION Manufacturers have failed in market research, user interface, and human engineering. The reasons for the deficits are not technical, but purely mental. The above mentioned examples manifest that lack of emotional intelligence is a serious problem among manufacturers, and little can be done about it. Welcome to the planet earth. | |
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